Gary Soto

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“… I peeled my orange
That was so bright against
The gray of December
That, from some distance,
Someone might have thought
I was making a fire in my hands.”
(“Oranges”)

Gary Soto

Gary Soto

Born in 1952 Gary Soto, is a Mexican-American poet and author whose work is derived from the observations of daily life, portrays of working class characters and his own memories.  With his father dying when Gary was only five years old, his initial poor record as a student was reflective of the struggle his family had to find work, which left little time for anyone to encourage him in his studies. Yet he was still drawn to great writers such as John Steinbeck and Ernest Hemingway, amongst others, and, as he says himself “In short, I was already thinking like a poet, already filling myself with literature.”  He knew he wanted to become a writer after reading the works of novelist Gabriel Garcia Marquez and whilst studying for his BA in English had the opportunity to work with the poet Philip Levine, whose portrayal of the working classes within his writing can be seen to have influenced Soto’s own works.

Author of 11 poetry collections for adults, he has received many awards, amongst which include the US Award of the International Forum in 1976 for his first collection of poems entitled “The Elements of San Joaquin” which offers a grim portrait of Mexican-American life, depicting the violence of urban life,  the exhausting labour of rural life (Soto himself worked in the fields of San Joaquin and the factories of Tresno in his youth) and the futility of trying to recapture the innocence of childhood, whilst his second collection “The Tale of Sunlight” (1978) which was nominated for the Pulitzer Prize in Poetry.

His poetry concentrates on daily experiences, often reflecting back on his life as a Chicano – a US Citizen of Mexican descent – and throughout his poems, novels, short stories, plays and books for young people he deals with the realities of growing up.  The American author, Joyce Carol Oates, herself a writer of both poetry and prose, describes Soto’s poems as “fast, funny, heartening and achingly believable, like Polaroid love letters or snatches of music heard out of a passing car, patches of beauty like patches of sunlight, the very pulse of light”.

Like Denny Bradbury, whose new collection of poems incorporates sections that follow a theme such as the seasons, spirituality and love, Soto’s poetry and prose focuses on everyday experiences whilst at the same time evoking the harsh realities that often shape life for Chicanos such as crime, poverty and racism.  In his writing for children and young adults he tackles themes such as choices, alienation and family life and Roberto Gonzalez Echevarria, writing for the New York Times Book Review describes Soto’s stories as “sensitive and economical”, praising him for staying within the teenager’s universe.

Just as Denny in “Broken In Time” writes:

…“However we perceive us to be

We will be brought down by time”, Soto’s poem “Saturday At The Canal” talks of how

…“ The years froze.
As we sat on the bank.  Our eyes followed the water,
White –tipped but dark underneath, racing out of town.”

Using his own experiences within his work, Soto says “Writing is my one talent.  There are a lot of people who never discover what their talent is… I am very lucky to have found mine.”

Princess of Black Poetry

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Yolanda Cornelia "Nikki" Giovanni

Yolanda Cornelia “Nikki” Giovanni

Yolanda Cornelia ‘Nikki’ Giovanni is an inspirational woman.

The 69-year-old Grammy Award Nominee from Tennessee prides herself as ‘a Black American, a daughter, a mother, a professor of English’.

These past thirty years have really brought her name to the forefront of modern day civil rights and equality activists, however her involvement expands another 20 years previous.

Giovanni graduated from the prestigious Fisk University with honours but it was not without its problems.  She was expelled in 1961 for her increasingly vocal views on racial equality.  In 1964 this rebellious youngster was readmitted but continued to pursue the political topics.

This determined individual met influential black poets such as Robert Hayden and LeRoi Jones, and became involved in the Black Arts Movement, and restored the Fisk chapter of the Student Non-Violent Coordinating Committee (SNCC).

Her first book of poetry ‘Black Feeling Black Talk’ was published in 1968.

This collection of poems, along with ‘Black Judgement’ and ‘Re: Creation’ were very much influenced by the black power movements of the time.  High-profile assassinations such as Martin Luther King, Jr., Malcolm X and Robert Kennedy caused uncertainty in a world already pulled apart by racism.  In her own way, Nikki tried to bring some understanding to the situation and champion a drive for solidarity.

Such was the impact of her words that ‘Black Feeling Black Talk’ sold over 10,000 copies within the first year.

However her early work was received with mix views.  Just as some were inspired by her ideas, others were apprehensive and in some cases felt she was expressing ideas without seeing the overall picture.

Poet Don L. Lee has commented ‘Sometimes Nikki oversimplifies and therefore sounds rather naive politically’.  Yet he also understands her motives for writing the way Giovanni does: ‘she conveys such urgency in expressing the need for Black awareness, unity, solidarity’.

As The Poetry Foundation have highlighted, Nikki ‘publicly expressed the feelings of people who had felt voiceless’.

Many could relate to her ideas as she wrote in a very personal way.

In her work ‘Black Judgement’ Giovanni is proud to publish her poem ‘Nikki-Rosa’, an honest account of life with her family, but highlighting too the black-white divide in understanding the life of an african-american:

and I really hope no white person ever has cause
to write about me
because they never understand
Black love is Black wealth and they’ll
probably talk about my hard childhood
and never understand that
all the while I was quite happy

Although these early poems sealed her title as the ‘Princess of Black Poetry’, these were just the beginnings of a long and illustrious career.

Many of her published works have received honours and awards.  ‘The Nikki Giovanni Poetry Collection’ was a spoken-word album which was nominated for a Grammy Award and National Book Award.  Her autobiography ‘Gemini’ was a finalist for the National Book Award.

Giovanni has been the recipient of over twenty honorary degrees, named Woman of the Year by numerous editorials and has received Life Membership and Scroll from The National Council of Negro Women.

Black Enterprise named her a Women of Power Legacy Award winner for work that expands opportunities for other women of color.

Nikki Giovanni is a professor at Virginia Tech, where she teaches writing and literature.

From her poem ‘Choices’, simple but effective advice for all of us:

if i can’t have
what i want    then
my job is to want
what i’ve got
and be satisfied
that at least there
is something more
to want

Billy Collins

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Billy Collins

Billy Collins

Described by Bruce Weber in the New York Times as “the most popular poet in America, Billy Collins was born in 1941 and has in his lifetime so far been the US Poet Laureate from 2001-2003 and the New York State Poet Laureate from 2004-2006.  Writing controversial, witty poems, he describes his own poetry as “suburban, domestic and middle class” – his level of fame is almost unprecedented in the world of contemporary poetry, with his readings regularly selling out and when he received a six figure advance sum for a three book deal when he moved publishers in the late 1990s the shock reverberated throughout the poetry world.

An only child, his mother was able to recite verses on almost any subject and this was something she did throughout Billy’s childhood, subconsciously instilling in the young Billy a love of both the written and spoken word which has continued throughout his life.

Receiving fellowships from the National Endowment for the Arts, the New York Foundation for the Arts and the John Simon Guggenheim Foundation, it was his fourth book “Questions About Angels” published in 1991 that propelled him into the literary spotlight.

The critic, John Taylor, commented that Collins’ skilful, smooth style and innovative subject matter “helps us feel the mystery of being alive” and talks of how rarely has anyone written poems that appear so transparent on the surface yet become so ambiguous, thought-provoking, or simply wise once the reader has peered into the depths.

Mary Jo Salter, reviewing his collection entitled Nine Horses Poems (2002) for the New York Times writes how one appeal of the typical Collins’ poem is that it’s less able to help you memorise it “than to help you to remember, for a little while anyway, you own life.”

Like Collins’ poem “Flames”, Denny Bradbury’s poem “Hare in the Moonlight” from her new collection, which comprises of sections that follow themes inspired by animals, the seasons, seascapes, spirituality and love, talks of a creature’s battle with man.

For Billy Collins, “Taking Off Emily Dickinson’s Clothes” published in 2000 was the first of his collections to be published outside the US and received great acclaim in the UK with poet and critic Michael Donaghy calling him a “rare amalgam of accessibility and intelligence”.

Collins himself says “I have one reader in mind, someone who is in the room with me and who I’m talking to and I want to make sure I don’t talk too fast, or too glibly.  Usually I try to create a hospitable tone at the beginning of a poem.  Stepping from the title to the first lines is like stepping into a canoe.  A lot of things can go wrong.  I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day.  To the left and right there are an amazing set of distractions that we usually can’t afford to follow.  But the poet is willing to stop anywhere.”

Royal Academy Bronzes

Royal Academy Bronze

Royal Academy Bronze

Last week I visited the Royal Academy Bronze exhibition.  From the excesses of the ancients to the minimalist or quirky modern I found it all thoroughly enjoyable.  However I do appreciate, indeed revel in,  the ancient portrayals more than the modern that is with one exception, Anish Kapoor. His work rarely disappoints and his bronze dish made me smile and relax and drew me in in a way that others seldom do. Rodin stands head and shoulders above everyone for me, I felt that from the time a few years ago when his work was shown en masse and I was captivated.

Happy Gallery Browsing – Denny Bradbury